screenprinting

I spent Saturday prepping my screens and Sunday printing. And printing was going really well until I discovered that the gold ink I was using wasn’t opaque – which would have been fine if I had been super exact when I set up the registration (alignment, for all you non-printmakers) on my transparencies. I’m usually […]

A sunny window will do.     My transparencies are done. Now I’m making sure the ink is opaque and the borders are clean. And since the UPS guy just delivered my huge order of paper, I can go to the studio and expose my screens for my newest collection!

  … which means that I’m working on new prints. And by “new prints,” I mean really new prints. As in prints larger than I usually make. And prints that will be available in limited editions only. And prints that form a cohesive collection, with a single color story and theme. The last couple of

  I’ve been playing around with larger-format printing for a couple of projects I have in the works – and this kind of printing has been so challenging for me. I’ve had printing problems I’d never seen before. It can be frustrating (okay, really frustrating) at times. I’d gotten to the point where I felt
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